Photography

35mm Fine Art Photography

garlic.17%22x11%22.digital print.2017.jpg
kelvin at harbor. 10%22x8%22. darkroomprint.2017.jpg
untitled. 35mm, 4x5%22 print. 2017..jpg
untitled. 35mm (porta 400). 4%22 x 6%22 print. 2017..jpg
lukas by the front door.jpeg
kelvin. 14.75%22 x 12.25%22. 35mm, digital print. 2017..jpg
sprouts.17%22x14%22.digitalprint.2017.jpg
caryl sitting still. 10%22x8%22.darkroom print. 2019.jpg
ooliver. 13%22 x 11%22. b&w silver gelatin print. 2017. .jpg
walking. 14%22 x 11%22. b&w 35mm, silver gelatin print. 2016.jpg
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marshgrass. 35mm b&w print. 2018..jpg
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Photos taken on a Nikon FM2

Photography through visual Aids and Other Devices (2017 - Ongoing)

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As someone with low vision I rely on a multitude of lenses to be able to see the world around me at a functional level. For a time I felt that this was an unusual experience, specific to me. However, after observing others I realized that people, regardless of ability, form modes of object-knowledge, or sensing and perceiving through entities separate from their bodies. I began experimenting with my monocular (a single lens device used to see long-distance) to see if I could document how I experience scale, proximity and clarity in visual forms. This resulted in an ongoing series in which I use various objects (my monocular, kaleidoscopes and even my monocular pointed at an electron microscope) to play with distance, framing, selection, and texture.

The top center image is a self portrait, taken with the help of a CCTV reader, which I use to read small font and printed materials.

self portait. monocular, iphone and cctv reader. 2017..JPG

Disposable Camera Practice

going in. fujifilm, 35mm. 2019..jpg
mom and maddie. portra. 35mm. 2018.jpg
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Scan 1.jpeg
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For over a decade I’ve compulsively carried a disposable camera around with me virtually everywhere I go. Initially, this was a way to engage my friends and document the minute, spontaneous, ephemeral moments of my life. Over time and with much consideration this ritual has become a means to pay homage to a mode of image-making and expression that is actively declining. To me, taking a photo (one of 24 - 36 exposures) that becomes a physical image directly mimics fallible human memory; damage can be done to cheap plastic camera-bodies, film can expire over time, or be incorrectly developed. This automatic process is important to me as a way to remember, and a way to engage my own modes of visual memory through revisitation and collection over time.

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sunlight in gio's apartment. fujifilm 35mm. 2019..jpg
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